» If you’re playing the notes directly into the piano roll 一 the results are more natural, but they too can be ‘faked.’ (B) Simply program it that way, by humanizing your MIDI manually. (A) Include the imperfections that MIDI imparts when played by hand. The only way to ensure ‘perfection’ in that case, is either: This is because the DAW’S default velocity or the most recent value input will get automatically applied to each note. » If you’re plugging in the notes by hand odds are the notes won’t only snap-to-grid, but all velocity will also remain stagnant as well. When programming MIDI of any kind, it’s important to know the roles of Velocity and Quantization. They are easy enough to memorize and master within hours! NOTE: There is no specific order in which to apply these techniques. There are hundreds of techniques (possibly more) that you could implement to expand and style your chord progressions, and today we’re breaking down a few industry favorites. Having said that… people naturally enjoy and are drawn to sounds they identify as ‘familiar,’ so don’t stray too far off the beaten path. In certain circumstances going against the rules can result in unique and alluring sounds, and serves as a technique in itself. When building chord progression, these chords typically sound better when they contain a healthy balance of both major and minor chords. The main reason most people get confused is that they don’t differentiate the two 一 once you do, it becomes super simple. This is different than chord codes and is referred to as Scale Degrees. » The third note in the chord is considered the ‘5th’ » The second note in the chord is considered the ‘3rd’ » The first note (the tonic) in the chord is always ‘1st’ You could expand either the minor or major chords to the 9 th and 11 th – but we’re focusing on just the fundamentals. » The same exact sequence should always be applied, regardless of which note you start on. If we start at C… the next note in the chord will be D♯ (sharp), then G, and lastly A♯. » The Minor 7 th chord’s code is : 0-3-7-10 If you start C… the next note in the chord will be E, then G, and lastly B. From that point forward, you will count upwards – including both the white and black keys. They make up the entire major/minor system we know and use.Ġ will ALWAYS be your starting point (the first note in the chord) and is referred to as the root note. This is because there’s only a total of 24 basic chord triads, and certain chords tend to work very well together to create specific moods and invoke specific emotions. You will commonly hear variations of the same chord progressions used over and over in popular music. The chords you use and the order in which you play them make up the harmony and tonal center of a song. Taking these intervals and strategically stacking them on top of one another (and/or playing them in sequence) is the foundation of every musical creation ever produced.īy knowing, referencing, and administering these intervals, you’ll be able to successfully create chords and melodies that directly follow the rules of Theory (while producing a pleasing and much-desired sound).Ī chord progression is the order chords are played one after another (in succession). Octave (Unison) 一 12 half steps (C♯ to C♯).Augmented Fourth 一 6 semitones (C to F♯).» An interval of 7 semitones is known as a Perfect Fifth. » An interval of just 1 semitone is known as a Minor Second. They are determined on a ‘note to note’ basis. NOTE : These intervals are not assigned by their relation to the scale. Harmonic 一 when two related notes are played at the exact same time (as they are sequenced within a chord). Melodic 一 when they appear as a sequence of consecutive notes (when two notes are played one after the other).These intervals can be categorized as either: They are determined by how far (in distance) each note is from one another. ģ-note chords are referred to as Triads. F rom those triads, many extended chords can be manufactured.Įxtended Chords are chords that contain between 4-7 notes.Īn interval – the difference in pitch between two tones (notes). I will be including a crash course on the fundamentals, but If you aren’t familiar with basic chord structure, or want to brush up on your Music Theory 一 click here for everything you’ll need to know (in-depth).Ī chord is defined as any harmonic set of pitches that consist of two or more (usually three or more) notes that are played at the same time. In order to understand how to manipulate chord progressions, you must first understand how to construct them properly.
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